It’s that time of year again—the time when thousands line up in arenas all over the United States hoping to get a chance to audition their talents (or lack thereof) in front of judges Simon Cowell, Paula Abdul and Randy Jackson. These audition hopefuls often endure a couple of days of intense summer sun, pouring rain, no showers and no comfortable beds just to get a chance to throw out what might be just ONE note of music to associate judges who sit in tents screening thousands.

At American Idol auditions, very few people actually see the inside of a building. Instead they wait in long lines to approach an associate judge at a table in a tent. Once you get to the front of the line, you are moved in a cattle call fashion to where judges sit at tables ready to hear you sing a note or two. It takes hours and hours to get this point, but there is merely a second in your favor for one of these judges to see if you’re otherwise amazingly good or excruciatingly bad. From what we hear, there is not much in the way of middle ground. You have a chance of moving forward to auditions stage 2 if you have a great voice or if you are horrific looking or sounding. Sad, but true. Many very good singers do not get through this stage at all. At this point, American Idol is seeking the best freaks and geeks who fill up the extremely popular audition specials that will start in January of 2007. Those who know their voice will most likely not carry them through to see Nigel Lithgoe or Simon Cowell will dress in chicken suits, clown shoes, cyborg costumes or exceedingly low cut shirts. Anything to get in to the building where Nigel Lithgoe and Simon Fuller make up the next stage of the judging process. If you are either fantastic or horrific, you might just get that shot in the dark to see Randy, Paula and Simon.

Cameras wait in the parking lots of each audition location to catch the cast-offs cry, collapse on the pavement, or else storm the cameras to get their own justice on American Idol. At the auditions, everyone does what it takes to get their few moments on television. And if not, they’ll certainly be back next year.

This year’s 7 audition cities include: Birmingham, AL, Los Angeles, CA, San Antonio, TX, East Rutherford, NJ, Memphis, TN, Minneapolis, MN and Seattle, WA.

Find more out about American Idol Auditions at http://www.idol-mania.com



American Idol and its preliminary auditions are the source of much entertainment and discussion among casual and hardcore fans of the biggest show on TV. The auditions bring a diverse group of singers to the homes of the waiting to be entertained throngs. The problem is, the ones we see on TV really aren’t that diverse. The people FOX show us on the audition episodes come in three categories: Really good, really bad, or those who have a sob story. And that’s it. Never the pretty good. Never the mediocre. Of course, I understand the reasons; they make perfect sense. Who wants to see the middle? We want the extremes.

While most of the media’s attention gets focused on the truly terrible auditions, I think we should celebrate the good auditions much more than we do. There are some incredible singers that audition alone on in that room. Lots are better than a number of the biggest pop stars today. We underestimate how difficult it is to sing a cappella, not to mention venture in front of three celebrities and numerous TV cameras for the first time.

These great singers are demolished by the presence of the weird, bizarre and awful lot of people who foolishly either believe they can sing, or just want to get on TV. It’s frustrating, but it’s also indicative of our fascination with trash culture. As long as people are willing to watch this in huge numbers, FOX will continue to troll out the most extreme people out there and generally they are the worst. It’s an indictment of our culture and something that FOX could easily lay off and show more of the good. But it’s FOX, and it won’t.

Check out the top ten American Idol auditions in the link below to see what brings out the best or the worst of television talent shows.

For more information about American Idol and especially about Top Ten American Idol Auditions please review this web site http://www.buddytv.com

For more information about American Idol and especially about Top Ten American Idol Auditions please review this web site http://www.buddytv.com

Tips To Get You Through The American Idol Auditions

The Fox networks television show is an Americanized version of the U.K. show called Pop Idol. American Idol is produced by Ken Warwick and Simon Fuller, the very same U.K. producers of Pop Idol. The American Idol TV show made its U.S. debut on June 11, 2002. America Idol’s first television season was enthusiastically received by record television viewers from across America. By way of doing a nationwide search for talented singers, the TV show aims to discover the best unknown singing talent in the country. The American Idol contestants are selected from the American Idol auditions which are usually held in six to seven U.S. cities every season.

As everyone in the entire world knows by now, the hit TV show American Idol is about talented and not so talented singers making it through the American Idol tryouts by impressing the American Idol judges and then competing against other American Idol contestants in order to be given the coveted title of American Idol winner. Here are some helpful tips to help you advance through the American Idol auditions and rounds.

From American Idol Auditions To The Finals

During these American Idol tryouts, the American Idol contestants are culled from thousands of singers into a few hundred. The American Idol judges will whittle down the remaining contestants even further still during the Hollywood round. In the end, from the thousands of hopeful singers who signed up for the American Idol tryouts with dreams of being acclaimed the American Idol winner, only 24 contestants, 12 males and 12 females, go to the semifinals.

The survivors of the semifinal round, 12 American Idol contestants in all, will then go on to give it their all in the final round. To make it all the way from the American Idol tryouts into the final round takes a great deal of talent. In the final rounds, one singer will be eliminated from the bottom three contestants each week until the American Idol’s final episode of the season where there are only two singers remaining from which the American Idol winner and runner up are then selected. Too bad the name is already being used by another popular TV show because American Idol should be more aptly named “Survivor”.

What It Takes To Become An American Idol Winner

Getting a break on the American Idol TV show is what many novice singers can only dream about. They hope that some day the American Idol results will have their name as the winner. After seeing the successful careers of past American Idol contestants, many singers are also trying very hard to get an American Idol tryout. While some contestants fail and some come out on top, we need to realize that there can be only winner at the end of each season and not every singer performing on the show can wear the American Idol crown. Singing talent alone is not enough to make you a winner. A beautiful voice may get you through the American Idol tryouts, but you also need to have a special personality to have a chance at winning the competition. I is important to have the rhythm and command over different tunes in addition to having a beautiful singing voice. Knowing how to dance along with your singing is a talent that is sure to give you a huge advantage over other competitors who can’t dance a lick.

The American Idol Official Website

If you are planning to tryout for an American Idol audition you need to be prepared. It’s a good idea to head over to Fox television’s official American Idol website and read and memorize all of the helpful information provided there. You will find plenty of frequently asked questions and answers on their website. If you have any misconceptions about trying out for the American Idol auditions and/or competition, you can clear many of them up by reading the information provided. A couple of the eligibility requirements to get into the competition are: You should be a citizen or permanent resident of the U.S. and You should be between the ages of 16 and 29.

Tips To Make You An American Idol Winner

Some helpful advice for aspiring contestants from previous winners of the American Idol are:

1) It is imperative that you rehearse the songs you choose over and over again until you’ve got it perfect. Then, make sure you sing that same song in front of the American Idol judges with full confidence. If you do it right, you will capture their attention and imagination and leave them wanting to hear more form you.

2) You really need to put everything you can into the song you are singing.

3) You should feel the lyrics when you are singing a song. When you do it right, the expressions should show on your face.

4) Remember to focus all of your attention on getting though the American Idol audition or current round. Each time you make it into next round you have an extra chance to show your talent and you are that much closer to the crown.

5) Always treat the American Idol judges with respect. Be completely honest and truthful at all times.

6) American Idol judges often like contestants who dedicate songs to their family members and friends.

7) If you are asked about your role models, try to come up with at least two or three names. When you describe them, you need to fine tune your verbiage and if at all possible try to come up with some interesting words to describe those personalities, but only if you are comfortable doing so. If you feel uncomfortable doing so, then do not use it because you could only end up getting embarrassed.

8) Be prepared to tell about yourself succinctly. Make sure that you dress well. It’s important to dress fashionable, but never be under dressed or too overdressed.

9) It never hurts to train. By taking a few voice-training classes you will greatly increases your chances of making it past American Idol tryouts.

Are You The Next American Idol Winner?

By following the tips discussed above you can only enhance your chances of making it past the American Idol audition. Who knows, with your talent and my tips there should be no stopping you. I look forward to seeing you on the next American Idol TV show. Heck, who knows, the next American Idol results may have as the next American Idol champion!

Neil Gerstein writes informative articles on various subjects like American Idol Auditions when he isn’t busy building and promoting his own websites. He currently have several websites that are great for content. At Movies, Music, Games & More he reviews the best unlimited free download sites for movies, music, games, zune, psp and iphone.


If you’re looking for tips on how to get through the American Idol auditions, then read further. You will find pointers here on how to impress Paula, Randy, and most importantly Simon Cowell. Hopefully, these will prove useful enough for you and actually get that yellow pass to Hollywood.

First Step

The initial basis of whether or not you’ll get through the American Idol auditions is whether you can actually sing! The opinions of your immediate family, your relatives, and your close friends do not give you a reliable indicator of your talent. Find a music teacher or a voice coach, preferably someone you don’t know, and get an honest objective assessment of your vocal abilities. The more plusses they rate you with, the better the chances you have.

Practice, Practice, Practice

Even the most successful singers spend time practicing. Unless you are incredibly gifted with a singing voice that can bring people to their knees, you will definitely need it. And even if you are lucky enough to have such a voice, practice never hurts your chances.

Practice your stage performance. Granted, you’re performing for an audience of three. But at this point, they’re the three most important audience members for you. Review American Idol’s previous seasons’ shows. Short of prancing around like Taylor Hicks, subtle but meaningful movements should be enough. Plan an appropriate wardrobe as well. Don’t go overboard, though. Just because you plan to sing a country song doesn’t mean you have to dress up like a cowboy competing in a rodeo.

Singing Isn’t Enough

Develop your personality. AI isn’t a talent search. It’s a popularity contest that only uses your singing talent as one basis of judging. Simon Cowell isn’t auditioning for a Songbird or Opera Star; he’s looking for an American Idol! An idol is someone the public admires because of looks, personality, and style, as well as singing talent. Even if you have a golden voice, but are about as exciting as a rock, chances are they won’t put you through.

On the Day of The American Idol Auditions

Get in line as early as you can for the day you plan to audition in. There’s going to be hundreds of people who think they have what it takes or are just want a chance to appear on TV. There are two things you want to avoid: getting cut out because they aren’t taking anymore entrants, and getting in when the judges are already too tired or too frustrated to notice that you’re actually good.

Auditioning in Front of the Judges

When you finally get inside, remember this: DON’T OVERDO IT! Don’t overextend your vocal range. Don’t exaggerate your transitions. Don’t overact while you’re performing. If you feel you have to butter up the judges, don’t end up kissing their behinds.

The only time when it’s OK to overreact is when you leave the audition room with that yellow sheet of paper. Hopefully, with these pointers, you will pass the American Idol audition phase and do move on to Hollywood.

Copyright (c) Althea Marie Tan – The Content Annex is a content development company that offers comprehensive writing solutions for busy entrepreneurs. Visit http://www.thecontentannex.com for more information.



It is very rare for a singer, dancer or actor to be cast in a role on the strength of their first audition. Because there are literally thousands of performers looking for work, most musicals have a Recalls system that can be fairly lengthy. One UK client had to endure 9 recalls at her own expense before she got the part. This article takes you through the different stages of the audition process, and describes how a coach can support performers through the recall system.

I assume that you have gone through or sidestepped the preliminary stage of the audition process (the cattle call) and have successfully completed the first private audition.

You know from having got the recall that the casting director thinks you fit the part and are at the appropriate level for the production. They want to find out more about you and how you deal with the material in the show. They will usually give you music and script for the roles they want you to audition for.

If the production company haven’t given any music or instructions, but has asked you to sing your own choice for them again, my advice is NOT to take new songs “to show something different” but to polish the same songs that were sung in the first audition. I also recommend wearing the same outfit. It’s the song, the performance and the clothing that got you the recall, so why risk changing their minds?

During a coaching session for auditions, we focus on the song, the character and the story – what’s the package that we’re selling? This technique, used for first auditions with your own choice of song, can be applied to the recall. We’ll explore the songs the casting panel has provided, identify the style elements of the show and incorporate them into the song (and your voice). We will also categorize the character’s personality traits, and test different versions of the scenes and songs to bring a consistency to both the singing and speaking.

That’s the first major hurdle. But the second recall is different again. By this time you will probably have been given not just the music but also some clues or advice on how the company wants the character to be played. In coaching for the second recall, we might experiment with different readings of the song based on different subtexts. It’s essential during the second recall that the performer gives a clear reading, but can still stay flexible enough to change if required.

The third recall is usually a more flexible event. You now know that you are at the right level and appropriate for the role. Often in the third recall the director and musical director will work with you in detail. This is the time to listen and experiment! Occasionally other auditioning actors will be brought in to “match up” a potential cast. My coaching sessions for the third recall are much more focussed, using information and hints given by the panel.

For example, working on auditions for the musical Spring Awakening recently, one of my clients was looking at three different roles and had been given very specific instructions from the directors for all three songs. So we worked on more aggression and bite in the consonants for one character, a more fluid, lyrical feel with some musical style tweaks for the second, and a hypnotic, sexually dominant feel for the third.

Another client was working on recalls for Mamma Mia and was up for two of the three leading ladies. So we worked on the dialogue for each character, identifying and shaping the differences between the two roles, finding the essence of their speech patterns, speed of delivery, pitch range and characterisation. Then we carried those differences into the songs to give a complete, identifiable package for each of the leads.

By the time you get to the fourth, fifth or sixth recall, you will have a relationship with the casting panel, and they have more time to discuss what they want to experience from you. You should be able to find out if there are any weaknesses in your presentation, and what you can do about it. Experimentation is vital here so know your material!

Occasionally at this point, it’s less about you and more about the casting panel being in disagreement about what the role requires. Perhaps a show originates on Broadway and comes over to the West End (or vice versa). In these cases there is often an American casting contingent who might have very different ideas. Just stay calm and do what you do. Be prepared to change everything that you have done so far. Stay focussed and open, and listen very carefully to what you are being told. In the rare event that you receive conflicting information, follow the advice of the person with the highest authority!

And if you don’t get any further in this particular journey, remember that the casting panel in your country has already approved your performing and will remember you for other shows.

Auditioning for jobs is a fact of life for the actor singer dancer. Once you become more successful at singing auditions, casting directors start to see you in other roles and you can bypass the first stages of auditioning (although even for the stars auditioning never goes away – “Would you like to pop in for a chat and a little sing?”).

Landing a role in a Broadway show or getting a West End lead can be incredibly rewarding. Working the Recall System in this way can help you understand the process and get you there quicker.

Jeremy Fisher trains singers and performers to find and maintain their best. He’s the author of Successful Singing Auditions, and creator of the Voicebox Videos (featured on the BBC and broadcast to an estimated 44,000,000 people). Sign up for Jeremy’s free newsletter containing original interviews, pre-release offers and receive your BONUS free copy of “86 things you never hear a singer say” at http://www.vocalprocess.co.uk






In most plays you will see that the atmosphere for the play is provided by the orchestra and also by the different people who sing certain items in the show. While the acting is an important consideration there are times when singing auditions play a significantly large role of importance. You will find this to be very true when the play in question is that of a musical.

In most plays and musicals there are lots of people who are involved in all sorts of parts of the play. For these people the role requires lots of time spent getting the motions, the words, the songs and even the tones correct. Now this entire process can be thrown into total disarray if the singing auditions don’t provide the right types of singers.

While the auditions for acting and stunts may be found in another part of the rehearsal hall the signing auditions will take place in a room where the acoustics provide a clear sound. The judges for these auditions will sometimes like to see if the prospective singers also have the ability of acting out a role while they are also singing.

The ability to sing and act with emotion and flair will help the selection process. In these situations being able to do both of these tasks will help the prospective actor or singer to have a wider role in the play. This does not mean that plays only have singing parts. For this reason when you are looking at the many details of the plays you can find that the parts where singing is needed is displayed.

Another item that is found in singing auditions is the parts which need to be assigned based on the voices that each successful candidate displays. As some of the parts in the plays can belong to alto singers, contraltos, bass singers and others it is necessary to match the voices to the parts required. The need for the play to continue unhindered, means that you will find an understudy and a main cast member being cast around about the same time.

Since the understudy needs to be prepared to take over at a moments notice, it is best if they memorize their parts as well. In addition to memorizing the singing parts of a play singing auditions for some plays require that the understudy and the main cast character have a familiarity with all of the non singing parts of the play. It is for this reason that you will find that singing auditions are very important.

Muna wa Wanjiru is a Web Administrator and Has Been Researching and Reporting on Broadway for Years. For More Information on Signing Auditions, Visit His Site at SIGNING AUDITIONS


Powered by WordPress leave a reply singing auditions Types of singing auditions